关于伊朗新浪潮电影一代的纪录片，法国ARTE出品DVD。 　　Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.

Fire, water, earth, air. Voices of fictional characters – sometimes suggestive, sometimes strict – leading the viewer away from the here and now. Who's talking? The relationship between the hypnotised subject and the hypnotist is mirrored in the spectator's relationship to the screen. 　　"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." - Kobo Abe 　　Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.

夜幕降临后的深圳，以临摹世界名画见长的画师分享着日常的生活和技艺。他们既熟悉新兴科技，又精通古典技巧，身份在艺术家与蓝领画工之间不断地切换。在这里，另一段绘画史正跃于纸上。

From the moment Thomas Edison shocked the public with May Irwin's unabashed kiss, the movie industry has become a battlefield for audiences who can't get enough of a good thing - and critics who believe some things are better left behind closed doors. SEX, CENSORSHIP AND THE SILVER SCREEN, a six-part documentary written and directed by Frank Martin traces the evolution of sexuality in America film, from the silent-film vamp Theda Bara to Elizabeth Taylor to the temptresses of ''Showgirls.'' Harrison Ford, Melanie Griffith, Marisa Tomei and Daryl Hannah recreate the voices of Hollywood legends to chronicle the continuing clash between screen sexuality and censorship. Raquel Welch is the host.

Every time our annual international film fest hits town, I scan all the offerings, with special attention to Iranian productions. I have seen so many fascinating films from a country that, in recent years, has banned Hollywood and other films foreign to them, and yet their filmmakers, despite having to follow strict guidelines and risking censorship at every turn, produce some of the finest films in world cinema. 　　This documentary features interviews with several Iranian filmmakers, plus clips from a number of their best films. Among various aspects of Iranian film-making, they talk about how their reflective films differ from the Hollywood action variety, although there is such a role for Iranian film as well. What perhaps is really remarkable is how freely these producer/directors talk in a critical way about the censorship exercised in their country. The clever ways they get around it actually appear to challenge and enhance their creativity (as Duke Ellington once said, in describing how he had to compose his music to fit the talents and limitations of his band members, "It can be good to have limits"). Unusual scenarios between husbands and wives get around the rule that men and women, even when married, can't touch. Children are sometimes used to state in an allegorical or analogous fashion what could not be presented by adult characters. And the role of women is wondrously portrayed in these productions from a country that severely limits women's roles.

金素贤（金泰熙 饰）出生于戏剧之家，父亲经营着一家剧场，虽然从小就失去了母亲的照拂，但是金素贤还是成长为了一位坚强而又独立的女性。宋由娜（尹晶喜 饰）是金素贤的同班同学，虽然出生在富贵的家庭之中，但因为过去的种种，使得宋由娜始终有一种骨子里的深深的自卑。她将金素贤视为竞争对手，一直非常努力的学习想要超过对方，终于，当金素贤家的剧场因为行业不景气和经营不善而负债累累时，宋由娜的父亲将其收购，两人的地位发生了逆转。 　　一晃眼多年过去，金素贤决定实现自己的理想成为一名编剧，在机缘巧合之中，她和宋由娜重逢了。

本片以电影剧照、电影宣传照、导演工作照和演员照片等引来夸张搞笑的动画，道尽一部优秀电影的出炉是何其艰难，其中的一把辛酸泪只有电影人自己才知。 　　编剧要通过不断地与稍纵即逝的灵感做斗争，才能写出自己和导演都满意的剧本；可是他们满意的剧本，相关审查部门总能找出各种各样的问题，于是最终到达他们手上的剧本，可能已与原来的大相径庭；之后，导演开始与摄影师、美工、场记等人员一遍遍地沟通，敲定细节，找寻合适的演员；拍摄中，问题会一个接一个出现，有些镜头要重复拍摄许多次；拍完剪完，要再送有关部门审查，如果他们提出修改意见，有些镜头必须重拍；好不容易电影上映了，该电影的所有工作人员又要忐忑不安地等待观众的检验。

影片以1925年吉祥寺建立的第一家电影院“井之头会馆”为背景，它是BAUS剧场的前身，描述了从“井之头会馆”到BAUS剧院约90年间的故事。染谷将太饰演“井之头会馆”的工作人员，他突然被任命为了社长，开始为会馆的进一步发展而努力。

影片以1925年吉祥寺建立的第一家电影院“井之头会馆”为背景，它是BAUS剧场的前身，描述了从“井之头会馆”到BAUS剧院约90年间的故事。染谷将太饰演“井之头会馆”的工作人员，他突然被任命为了社长，开始为会馆的进一步发展而努力。